![]() At least in the film’s first half, the sheer excess of unhinged scenes showing grotesqueries (dwarfs tossed at dartboards in the bull-pen office), satyriasis (countless orgies on private planes), and rapacious-capitalist mob behavior (terrifying chants of “ Wolfie! Wolfie!” whenever Belfort addresses his employees) seems the perfect strategy to convey the indecencies of both an unfettered economic system and those it rewards. Scorsese’s hard-R portrayal of Belfort and company’s insatiable appetites-for money, for whores, for drugs, for stuff-pierces until it numbs. These outer-borough boors prey on working stiffs, making obscene amounts of cash by cold-calling clients who fall for their pump-and-dump schemes. When this dental-school dropout and “former member of the middle class raised by two accountants in Bayside, Queens” opens his brokerage firm, Stratton Oakmont, in a converted car dealership in the late 1980s, he hires a group of adulators laughably repellent in their hideous toupees and blindingly white dental enhancements. But, unlike Fitzgerald’s protagonist, who masks his impoverished North Dakota upbringing with aristocratic, genteel affectations, Belfort prides himself on being the most vulgar of arrivistes. Having made their riches through criminal activity, both install themselves in gaudy spreads on Long Island’s Gold Coast, their opulent dwellings overcompensating for their humble origins. DiCaprio’s Belfort, in fact, might be thought of as a direct descendant of Jay Gatsby, whom the actor played this past spring in Baz Luhrmann’s bumptious adaptation of F. Written by Terence Winter (who’s scripted episodes of The Sopranos and Boardwalk Empire and, particularly apposite here, 50 Cent’s 2005 star vehicle, Get Rich or Die Tryin’) and based on Belfort’s memoir of the same name, Scorsese’s film fittingly closes a year dominated by movies-and headlines-about greed, stupidity, and invidious consumption. This glutted black comedy devotes most of its running time-just one minute shy of three hours-to depicting the barnyard-animal behavior of Belfort and his colleagues, resulting in one of the most savagely funny portrayals of porcine debauchery if also one of the most depleting. “THE CHICKENS had come home to roost-whatever the fuck that means,” Jordan Belfort (Leonardo DiCaprio), the real-life stock-market scammer of the title in Martin Scorsese’s The Wolf of Wall Street, says in voice-over before his twenty-two-month prison sentence begins. Donnie Azoff, Jordan Belfort, Naomi Lapaglia, and Brad (Jonah Hill, Leonardo DiCaprio, Margot Robbie, and Jon Bernthal). And everything was reactive off of that.Martin Scorsese, The Wolf of Wall Street, 2013, 35 mm, color, sound, 179 minutes. ‘Really? What was the interview?’ And he said, ‘He handed me a pen and said sell that pen.’ So, Leo, he didn’t tell anybody. The film's " sell me this pen" motif, for example, came from a conversation between DiCaprio and his security detail as he walked to set:Ī lot of times, people talk about that 'sell me this pen' scene, and I use it as a really good example of the way that Marty works. When Leo was walking to the set that day, his security was a New York City detective and he said he had a job interview with the real Jordan Belfort. Scorsese is known for embracing improv from his actors, and Bernthal confirms that every take on The Wolf of Wall Street was unique, requiring everyone to stay immersed in the moment and always be ready for something new to contend with. In his recent Hot Onesinterview, Bernthal adds to the tamer side of the canon by revealing that the movie's famous pen scene was improvised. Related: The Origin Of Matthew McConaughey's Wolf Of Wall Street Chant Cast and crew members have shared many interesting behind-the-scenes anecdotes over the past few years, ranging from elements as benign as Matthew McConaughey's chant to ones as shocking as some potential confusion during an orgy scene. However, regardless of whether what occurs in each scene really happened, they were all actually filmed, and the production of Scorsese's movie has accrued legendary status since its release. ![]() While some audiences found its depiction of excessive depravity controversial, the movie was reviewed positively by critics and DiCaprio picked up an Oscar nomination for his lead performance.Īs an account of one man's rise and fall as a corrupt stockbroker, The Wolf of Wall Street contains many supposedly true stories that defy belief, and the film accordingly plays with the reliability of DiCaprio's character as a narrator. ![]() The acclaimed American actor reunited with director Martin Scorsese on the 2013 film, which adapted the 2007 memoir of the same name by Jordan Belfort. Leonardo DiCaprio improvised the famous pen scene in The Wolf of Wall Street, says Jon Bernthal.
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